![]() From the very experience I have from VJ'ing(never said anything about dj'ing because there I suck hah), it's always good to keep it simple, small and go from little to bigger. That will just confuse the people.īut yeah, it's hard to really know what's "best", because we have so many different needs and yes way way different ways we work, what tools we need etc. Just as with the video stuff you project, it's important to keep it simple and not just blast on to its ultimate high. and god knows what you wish to include on stage. VJ'ing is also about to control somewhat external sources, such as stroboscope, lasers, fogmachines, headlights. Here is your freeframe to make transmissions, transformations and yes just add the small bits, to make your set stand out just that extra bit(often also what define your signature). The composite part is what "kicks in" here. Like you want to chain a mouth saying, "let the beat control your body". The fourth part is about to add special effects that are linked to special "happenings" in a music. Then there is time to move on to the "fun part". When the third part is working well and you've got a feeling for the music, the visual and it feels okay. The third part is about to connect the "visual meltdown" with effects, such as fade in and out at the right place (always in sync with the music, so it kind of fits the intro(often used less times), build-ups, bridges, beats, breaksbeats, momentum and outros(also used very few times). ![]() The second part is about to find a bit of a link between the music, the visual and a flow. The first part is to collect the fundamental data for let's say each song you want to visualice. ![]() From my point of view VJ basically comes in a few parts. ![]()
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